Friday, September 30, 2016

'Gahire Pani' by Ratnakar Matkari

Pages: 206
Goodreads, Amazon

Last month, I asked my Twitter followers if they'd be interested in gifting me a book for my birthday. Though a few fell prey to this sentimental yet evil appeal, I backed off thinking that it wasn't too nice of me to do something like this and didn't go back to this request until the day arrived. However, Abhijeet insisted on sending a book even though the birthday had almost left the calendar. Many thanks to him for gifting me 'Gahire Pani' ('Deep water' in Marathi).

After the heavy duty Hindi dose of Rashmirathi, I was a bit uncertain about whether to read 'Gahire Pani' without a Marathi dictionary. The author's introduction wasn't too helpful either since, strangely, he had written only about the TV show based on this book.

The book is a collection of horror and thriller short stories. The author is blessed with a weird mind (which I like!) that has him all sorts of supernatural ideas. The stories belong to various genres predominant among which is horror.

Though the stories aren't very scary, they are definitely thrilling. I found myself thinking about a few stories long after I had read them. The first story about a boy being able to predict anybody's date of death when he is told that person's birthday is definitely one such story.

Though most of the horror stories score high on the thrill quotient, the ones about time travel. murder plot and witchcraft are forgettable. An impressive narrative in this maze of thrill is the story of a girl who keeps getting flashes about an assault in her previous life. Though the plot's climax is not much to speak about, the story has been told in the form of letters from the protagonist to herself. It was a really interesting way of unfolding the events.

Overall, I enjoyed reading the book and will gladly read anything else by the author. I thank Abhijeet again for giving me the chance to read something so out of my reading span. Without this gift, I would have been a stranger to a Poe-sque Marathi author. 

Wednesday, September 28, 2016

'Harry Potter and the Cursed Child' by Jack Thorne, John Tiffany and J. K. Rowling(?)


Pages: 327
Goodreads, Amazon

The "Harry Potter" series holds a special place for me because it introduced me to the world of fantasy. I read the series quite late after all the books were released. I even ignored all the movies considering them as imbecile. Credit to a niece who challenged me to give the first book a try and then stop myself from reading the rest of the books. Like innumerable people across the globe, I was smitten by the wonderful world of Harry Potter.

The buzz around the new play in the Potter series was quite strong since last year. Of course, it would have been wonderful to watch the play especially since it featured actors besides the ones in the movies. However, since the play is currently playing only in UK, one had to take solace in the next best option - the play's screenplay. Having read the main series and having watched all the movies based on them, I bought the screenplay without reading about its reviews. 

The plot revolves around Harry Potter's son, Albus. It portrays Albus' pain of bearing the burden of expectations that the world has thrust upon him simply because he is the son of a famous hero. In his journey of finding his own identity, Albus comes across and befriends Draco Malfoy's son, Scorpius. While Albus is nothing like Harry when it comes to magic, Scorpius' personality is extremely different from that of his evil (until the previous book) father, Draco. The villainous touch to the plot is lent by Voldemort's daughter, Delphini. 

The plot relies heavily on time travel in order to take the readers and the characters back to the plots of the previous books. Like the characters in the main series, Albus and Scorpius are consistent at making mistakes, stick to love and friendship, and recover from their setbacks after receiving help from unexpected quarters. Finally, they also overcome their opponent and everything ends up being well. The added theme of children trying to find themselves by coming out of the shadows of their parents has been well portrayed. 

As the book is a screenplay (not sure what 'special rehearsal edition' is), it obviously doesn't read like an ordinary book. However, my main complaint is regarding the characters. While a play may not give the writers the liberty of developing characters as well as they'd like to, there was a distinct disconnect in this book from how the characters behaved in the main series. Especially, Ron was presented as a joker who is mocked by everybody. I found myself saying, "This is not something this character would say," several times. Though I have my set of complaints about the main series, this botheration about characters in this books, shows how well the previous books were written and presented in the movies. 

I'd like to forget this book quickly and let the special place of the main series remain intact with me. But will I miss the chance to watch the play? Book the best seats please. 

Wednesday, September 7, 2016

'Fahrenheit 451' by Ray Bradbury

Pages: 227
Goodreads, Amazon

I rarely add books to my Goodreads "To-read" list because, firstly, I'm too lazy and, secondly, I try to read books based on chance encounters and leisurely discoveries rather than as a plan. Besides, being almost always confused about things doesn't help a reading plan much. But there are a few books in my "To-read" list based on someone's kind recommendations or the times when I stumble upon a book and liked it so much that I had to keep it in the list (only to be forgotten at a later time). Ray Bradbury's Fahrenheit 451 found a place in the list based on one such quirk.

Yamini was kind and smart enough to look up the list and gift it on my birthday after I quite shamelessly and repeatedly kept on asking her for a gift. By the way, I am so ignorant towards my "To-read" list that I deduced that this book existed in my list based on Yamini's tweet on blessing these lists for helping one decide a gift.

The fast-paced book is based in the year 2052. The world has achieved advancements in technology (there are four-walled televisions and TV shows in which one can participate as a character right from the comfort of one's home) but not so much ideologically (people are busy having fun by indulging in TV shows but nobody has any individuality of actions or thoughts). The administrative state seems to have grown extremely powerful in its endeavour to clamp down on any form of questioning thinking. There is a team of Firemen which is always on its toes promptly performing its duty of visiting homes and burning books. (451 degrees Fahrenheit is the temperature at which paper burns.)

The book is about Guy Montag, a Fireman who is on the verge of awakening from his ideological stupour. Deep down, Montag knows that something is wrong with everything. His wife is happily floating in the pleasures of TV and the company of her equally brain-dead friends. Montag's world changes when he comes across a free-minded girl (Clarisse) and an old man (Faber), both of whom are free souls, and who psychologically shake Montag up and inspire him to revolt against the system. Montag runs away from everything with the ambition of reestablishing a freedom of thought in the world.

Bradbury doesn't devote many pages to world or character building. He is out there to convey an emotion and he does it well succinctly. Montag seems torn between two worlds but we don't know much about him till the end. I didn't really feel much for Clarisse when she disappeared whereas Montag was terribly disconsolate.

The book touches upon the aspects of a grim future world, freedom of thought and most importantly, how books shape people. It is an expression of the author's love of books and I was blown away by the way that has he chosen to pour it into the words. It kept reminding me of the Matrix trilogy with Montag as Neo, Faber as Morpheus and Clarisse as Trinity.

The 60th anniversary edition of the book (with the above cover) has a history, context and criticism section which makes it a far more interesting read. Since the book itself is shorter than 200 pages, this section is not worth skipping as it has views of the author himself and famous reviewers about the book itself and its adaptation as an audiobook, a play and a movie.

Since the book was written and published in the 1950s, the narration is somewhat different from what I have come to know as modern literature. There seem to be occasional bumps in the flow of the narration because of the jumpy nature of the plot. There are a few instances, especially when Montag moves from one location to the other, when the characters seems to be daydreaming or on a psychological trip. I lost the narration completely at these points, however, it didn't matter much.

I loved every bit of the book and the fact that it makes books seem all the more important to people made it even more special to me. 

Sunday, August 28, 2016

'Red Seas under Red Skies' by Scott Lynch


GoodreadsAmazon
Pages: 558

'Red Seas under Red Skies' is the second book of the Scott Lynch's Gentleman Bastards series. [I have written about the first book 'The Lies of Locke Lamora' but it's in my writing journal and I'm too bored at the moment to transfer it here.]

The series is about thieves who want to win over the world through their many deceptions. The setting of the series reminds of the world and period of 'One Thousand and One Nights'. The world is all about ports, traders, rich people with palatial homes, and there's a little bit of magic amidst all the chaos. After the adventures of the first book, the group of thieves has been badly wounded and has been reduced to just two people - Locke and Jean.

The book begins two years after the events of its prequel. The prologue makes the reader jump right into action with Locke and Jean under an attack and Jean is about to betray Locke by crossing over to the attackers' side. Once the actual book begins, the narration alters between the present and the period of rift between the this book and its prequel.

'Red Seas under Red Skies' introduces us to new characters and a new place (the port of Tel Verrar) though villains from the prequel make scanty but important appearances. In the initial part of the book, Locke is unwilling to get back to his old deceptive ways and Jean tries measures, which are extreme but also adorable, to bring him back. Eventually, the duo gets into its groove and finds a new target for duping through many layers of masterful scheming - Requin, the shrewd and powerful owner of a gambling den. However, there's another dominant character in Tel Verrar, Maxilan Stragos, who knows a lot about the duo's past and threatens to harm them fatally unless they act according to his wishes.

In order to gain political points, Stragos makes Locke and Jean travel by sea, in their mission to become pirates and stir trouble in the region around Tel Verrar. After a hurried training through the lovable ex-seaman Caldris, Locke and Jean are pushed off in the sea. They come across the pirates Zamira Drakasha (who pirates around with her toddler kids in the tow) and her lady-lieutenant Ezri Delmastro. Loaded with lots of characters, witty lines, naval terms and interesting tricks, the plot proceeds towards a thrilling climax.

I had great fun reading this book. There are hardly any dull moment throughout the 600-odd pages. Locke is so funny especially when he gets angry that I'd love to be around the angry Scott Lynch. The many lies of Locke left me guessing about his true intentions throughout the book. The world creation is not very dense except while describing buildings. My imagination failed to keep up with the scenes intended to be created by the author. However, he must be credited for achieving the rare feat of having more than one major female character in a fantasy book.

My only complaint about the book was about the overdose of twists that Lynch supplies throughout. A few of them seem just too forced and, in order to accommodate them, he seems to take the characters out of their painfully built personalities. The tedium of traversing through the complications spiked towards the end of the book. This was entirely consistent with what I had experienced while reading 'The Lies of Locke Lamora'.

I'm totally in for reading the remaining (five?) books in the series but a Gentleman Bastards reading spree seems tiring. See you later, Locke. 

Tuesday, August 9, 2016

The Complete Stories and Poems by Edgar Allan Poe

Pages: 821

Edgar Allan Poe's works caught my fancy a couple of years back when I was introduced to horror writing. I had listened to the audio version of 'The Black Cat' rendered by Diamanda Galas from the album 'Closed on Account of Rabies'. The weird murder story as well as its rendition was nothing like what I had listened to ever before. The tale itself had such a eerie feel to it that it gave me the creeps. I listened to and recommended many friends to listen to all the audio versions of Poe's horror stories which were available online. Soon, I even read almost all the horror tales by Poe. I was immensely impressed by his narrative style and decided to read everything written by him. 

The book gives us an insight into the mind of Edgar Allan Poe. It is not an easy read as it is full of short stories and poems, many of which are extremely weird. After reading the book, it is easy to understand why Poe is regarded as a genius by some and a psycho by others. Though he is widely recognized as a horror and mystery writer, there are many stories that belong to Satire and Comedy genres. Beware though. Poe's sense of humour is nothing like ordinary and there is a good deal of gore in many of them too. 

Poe is considered to be the pioneer of murder mystery story-writing. The book begins with 'Murders in the Rue Morgue' in which we are introduced to C. Auguste Dupin, who is not a professional detective but is blessed with supreme deductive abilities. The stories are inspired by true events in Europe and Poe's attempts at solving the mysteries sitting in USA going just by newspaper reports. It is said that Dupin was the influence behind Sherlock Holmes. 

Among the comedy stories, 'The Spectacles' is the funniest. The protagonist falls in love with a stranger whom he sees at the opera. When the two finally meet and the protagonist wears his spectacles, he realizes that the lady is his great grandmother. Besides this, I remember 'The Predicament' as a story that's more morbid than funny. 

Other than horror, mysteries and comedies, there is a 'Flights and Fantasies' section which reads like science-fiction. Poe is clearly smitten by the Hot-air balloon. The most notable among the sci-fi stories is 'The Unparalleled Adventure of One Hans Pfaall' in which the protagonist takes a balloon trip around the earth but ends up leaving for the moon by the end of it. 'The Balloon Hoax' though cleverly written, is tiring to read owing to its details about the balloon's construction and the trip.

I'm not too big a fan of poetry and struggled to go through the huge collection. I particularly loved the poem - The Conqueror Worm. It talks about the inevitability of human mortality. Poe's conception of death as a worm and more importantly that of humans playing actors in the theater of life is nothing short of extraordinary. 

I'd recommend the book to someone who wants to study Poe. Otherwise, it's better to stick to the popular collection

Saturday, August 6, 2016

रामधारी सिंह 'दिनकर' की "रश्मिरथी"



(Disclaimer: I am writing in Hindi for the first time in about 16 years. Please ignore the grammatical, spelling and sentence construction mistakes.)

पृष्ठ : १७६
गुडरीड्सअमेज़न

'रश्मिरथी' का ज़िक्र मुझसे सलोनी ने कुछ किताबों पर चर्चा करते समय किया था। उसने मुझे बताया था कि 'रश्मिरथी' उसकी सबसे प्रिय पुस्तक हैं और मुझसे यह भी पूछा था कि क्या वो मुझे 'रश्मिरथी' भेट कर सकती है। हिचकिचाहट में मैंने उससे इस विचार का कारण पूछा तो उसने बताया की अच्छी पुस्तकें भेट करने से हम एक दूसरे को अच्छी पुस्तकों से परिचित कराते हैं और पढ़ने के लिए प्रोत्साहित करते हैं। मैंने जब देखा कि इस किताब की कीमत कुछ ७० रुपये ही हैं, तब मैंने उसे इस किताब को मुझे भेट करने को कहा।

किताब कर्ण पर आधारित होने की बात सलोनी ने मुझे बताई थी। लेकिन जब मैंने किताब पढ़ने की कोशिश की, तब मुझे ऐसा समझ आया कि दिनकरने उसे काव्य रूप में लिखा हैं। इतना ही नहीं, पुस्तक की पहली पंक्ति में ही "पुनीत" और "अनल" जैसे कठिन शब्दों को देख कर मैं थोड़ा डर गया और किताब को कुछ दिनों तक पढ़ा ही नहीं। कहते हैं की सही समय आने पर कुछ किताबे स्वयं तुम्हे अपनी ओर आकर्षित करती हैं और उन्हें पढ़ने पर मजबूर कर देती हैं। "रश्मिरथी" को लेकर मेरे साथ कुछ ऐसा ही हुआ। मैं काम के सिलसिले में सफर कर रहा था। मेरे पास पढ़ने के लिए "रश्मिरथी" को छोड़ कर कुछ नहीं था। मैंने कठिन शब्दों को नजरअंदाज कर के पुस्तक पढ़ना शुरू किया। हवाईसफर के पहले चरण में मैंने लगभग आधी किताब पढ़ ली थी। इतना ही नहीं, मैं बची हुई किताब को पढ़ने का बेसब्री से इंतजार कर रहा था।

किताब में कर्ण की कथा विषम तरह से बताई गयी हैं। कथा पूर्ण न होते हुए उसके केवल मुख्य अंश ही बताए गए हैं। इनमें कर्ण का दुर्योधन से द्रोणाचार्य द्वारा आयोजित प्रतियोगिता में पहली बार मिलना, परशुराम का कर्ण की जांघ पर सोना, कृष्ण और कुंती का कर्ण  संभाषण, इंद्र का कर्ण से कवच-कुंडल मांगने का किस्सा और कुरुक्षेत्र की लढाई शामिल हैं। इनमें से सबसे भावुक कर देने वाला किस्सा पुस्तक के तीसरे सर्ग में बताया गया हैं। यह भाग कर्ण और कृष्ण के बीच के संवाद का वर्णन करता हैं। कृष्ण कर्ण से यह विनंती करने आये हैं कि कर्ण दुर्योधन से कहे कि वो पांडवों से युद्ध करने की हठ छोड़ दे। इस सर्ग में कर्ण के द्वारा उसकी बतायी गयी पृष्ठभूमि काफी भावुक कर देने वाली हैं। मैं, हर साल, महाभारत पर आधारित कम से कम एक किताब पढता हूँ। लेकिन काफी कम किताबे दिनकर की इस रचना की तरह भावनात्मक जोड़ स्थापित कर पाती हैं। इसके अलावा, युद्ध में अर्जुन को पराजित करने का कर्ण के उत्साह का विवरण मुझे सिर्फ "रश्मिरथी" में पढ़ने को मिला।

इस पुस्तक को पढ़ने में मुझे एक अद्वितीय अनुभव मिला। मैंने पाठशाला ख़त्म होने के बाद प्रथम ही कोई हिंदी पुस्तक पढ़ी। उसपर एक काव्यरचना पढ़ना काफी अलग लग रहा था। 'रश्मिरथी' रामधारी सिंह 'दिनकर' का यह सामर्थ्य दिखाती हैं जो वाचक को काफी दिनों तक पुस्तक के बारे में सोचने पर मजबूर कर दे। कर्ण की कथा न केवल दानशूरता की कहानी हैं, बल्कि वह ये भी एहसास कराती हैं कि कुछ लोगों को इस दुनिया में केवल सहनशीलता का प्रतीक बनने के लिए भेजा गया हैं।

वैसे तो यह किताब कई बार पढ़ने लायक है पर पुस्तक में यदि कठिन शब्दों के अर्थ दिए होते तो पढ़ने में एक पूर्णता आती। चूँकि किताब महाभारत पर आधारित हैं, चतुर्थ सर्ग में ईसा और गांधी का उल्लेख अयोग्य लगता हैं।

'रश्मिरथी' पढ़ने के बाद मुझे इस बात का भी एहसास हुआ कि भारतीय अंग्रेज़ी लेख़क (खासकर नए) चाहे जैसे भी हों, लेकिन प्रादेशिक भाषाओं वाले लेख़क सच में पढ़ने योग्य हैं। मैं दिनकर से इतना प्रभावित हूँ कि मैं जल्द ही उनके द्वारा लिखित 'कुरुक्षेत्र' भी ज़रूर पढूंगा।

कुछ पंक्तिया मुझे ख़ास पसंद आयी जिन्हें मैं यहाँ प्रस्तुत कर रहा हूँ:

१. जब दुर्योधन कृष्ण से कहता हैं कि वह पांडवों से युद्ध कर के ही रहेगा:

जब नाश मनुज पर छाता है, 
पहले विवेक मर जाता है। 


२. जब कर्ण कृष्ण से कहता हैं कि वो युद्ध को नहीं रोक सकता:

"तुच्छ है, राज्य क्या है केशव?
पाता क्या नर कर प्राप्त विभव?
चिन्ता प्रभूत (ज्यादा), अत्यल्प हास,
कुछ चाकचिक्य (चकाचौंध), कुछ क्षण विलास।
पर, वह भी यहीं गवाना है,
कुछ साथ नहीं ले जाना है!"


३. जब इंद्र कर्ण से कवच कुंडल मांगने आते हैं:

पर, जाने क्यों, नियम एक अदभूत जग में चलता है, 
भोगी सुख भोगता, तपस्वी और अधिक जलता है। 
हरियाली है जहाँ, जलद (वर्षा) भी उसी खण्ड के वासी,
मरू (रेगिस्तान) की भूमि मगर, रह जाती है प्यासी की प्यासी।   



४. कुरुक्षेत्र के युद्ध के बारे में:

ये तो साधन के भेद, किन्तु,
भावों में तत्व नया क्या है?
क्या खुली प्रेम की आँख अधिक?
भीतर कुछ बढ़ी दया क्या है?
झर गयी पूँछ, रोमान्त झरे, 
पशुता का झरना बाकी है;
बाहर-बाहर तन सँवर चुका, 
मन अभी सँवरना बाकी है। 


५. कुरुक्षेत्र के युद्ध की रणनीतियाँ बताते हुए:

है धर्म पहुँचना नहीं, धर्म तो 
जीवन भर चलने में है। 
फैला कर पथ पर स्निग्ध (सौम्य) ज्योति 
दीपक समान जलने में है।
यदि कहे विजय, तो विजय प्राप्त 
हो जाती परतापी को भी, 
सत्य ही, पुत्र, दारा, धन, जन;
मिल जाते है पापी को भी।


६. साधन से ज्यादा लक्ष्य पर ध्यान होने के बारे में बताते हुए:

साधना को भूल सिद्धि पर जब 
टकटकी हमारी लगती है, 
फिर विजय छोड़ भावना और 
कोई न हृदय में जगती है। 
तब जो भी आते विघ्न रूप, 
हो धर्म, शील या सदाचार, 
एक ही सदॄश हम करते हैं 
सबके सिर पर पाद - प्रहार। 

उतनी भी पीड़ा हमें नहीं 
होती है उन्हें कुचलने में। 
जितनी होती है रोज कंकडों 
के ऊपर हो चलने में। 
सत्य ही उर्ध्व (ऊपर देखने वाले) - लोचन (आँखे) कैसे 
नीचे मिट्टी का ज्ञान करे?
जब बड़ा लक्ष्य हो खींच रहा, 
छोटी बातों का ध्यान करे?

Monday, August 1, 2016

Mystic River by Dennis Lehane


Pages: 416

Dennis Lehane's 'Mystic River' features prominently in most thriller/mystery lists. I have read his 'Shutter Island' and loved it immensely for its psycho-thriller quotient. I read it after many days of having watched the movie based on it and yet the book went exceptionally well for me. 

'Mystic River' begins with a description of the town in which the three main characters are growing up as eleven year old children. The bourgeois nature of the town is as much a part of the plot as the characters themselves. Sean lives in the upmarket area whereas Dave and Jimmy live in a slightly contrasting area of the town. One day, while the three are playing, two child molesters take Dave away in their car only to be dropped off four days later. Jimmy, the brash bold kid and Sean, the thinking one, refuse to get in the molesters' car and start living with the guilt of not having done anything to save Dave. 

Twenty five years later, Sean has grown up to be a homicide detective, Jimmy is an ex-convict and Dave is a famous ex-baseball player who has outlived his fame. The main plot of the book revolves around the murder of Jimmy's daughter - Katie under mysterious circumstances. The murder takes place on a night when Dave comes home with blood on his body and confesses to his wife that he had gotten into a fight with a mugger whom he supposedly beat up with his bare hands. 

Like a typical mystery, the plot involves many suspicious characters, their thoughts, back stories and hints at possible intentions to have committed the crime. 

Lehane is a gifted writer who excels at keeping the reader guessing for a good 95% of the book. However, the end result is not too convincing in terms of the motive of the crime. There is a certain abruptness to the reveal. I got a sense that Lehane may have forcefully reverse-fitted several characters and a major part of the plot after coming up with the premise.

Besides the main plot, however, the most appealing part of the book is the insight into the mind of Dave Boyle who turns out to be a shell of a person even after twenty five years of the incident that he suffers as a child. Lehane has captured his hurt psyche extremely well. The most appealing and touching part is when Dave recalls the fateful day when he entered the car of his abusers. From the day of his return, he believes that, it is not just he who has undergone a terrible transformation. Everybody else in his life has changed too. There is nobody to listen to his side of the story. Instead everybody has turned into this smiling sympathizer who asks and does what Dave wants. The bit, where the grown up Dave confesses about having a part of him stuck in childhood, was also very touching. 

Overall, Lehane scores high on developing deep characters. However, the minute descriptions of scenes fall short in keeping up the enthusiasm about solving the mystery.